Reindeer Games

The ebook revolution has been nearly fifteen years in the making, but sometimes the success of one invention requires the invention of another.  Builders had the method to create skyscrapers long before they had the initiative to do so.  Tall buildings could not meaningfully exist before the invention of the elevator.  Sure, people were capable of walking up and down thirty flights of stairs but it was scarcely desirable or practical to do so.

Books could be read on computer screens for decades, but it was not an enjoyable experience. The last two years have seen the introduction of a variety of ebook readers that not only mimic the traditional experience of reading a paper book, but now in many ways enhance, even exceed that experience.

Adjustable text sizes eliminate the need for those #$%&-ing reading glasses. Online page syncing allows the reader to simultaneously read the same book on multiple devices--Kindle at home, smart phone with Kindle app on the lunch break? No more sitting in that dentist's waiting room thumbing through year-old copies of People Magazine. (Only to learn the depressing news that the same Lindsey Lohan stories are printed every year.)

But the Kindle, Nook, and iPad were not the first portable reading devices.  I bought a Rocket eBook back in 1998.  It cost a staggering $499 (remember these are 1998 dollars, too), but I was so excited that I sold my first novel to a royalty-paying ebook publisher that I could not wait to embrace the future of reading. The Rocket eBook was a nice reading device, not very different from the Kindle in size and page appearance.  It was much heavier, I recall.  Battery size and weight have aided the new generation of ebook readers.

The various writers' groups I belonged to back in those days gave the ebook concept a collective cold shoulder.  Few of those groups would grant me "published author" status--I was not allowed to join in any reindeer games--because they informed me with confidence that "Ebooks are not Real books."

That now seems like such a quaint notion, especially given the fact that ebooks have out-sold hardcovers for the last several months. What the next fifteen years will bring to my home library, I cannot even imagine...but I bet it's going to be fun. (she said, as she composed this blog on her iPad.)

The Victorian West Welcomes Richard S. Wheeler

Richard S. Wheeler is the author of more than 60 published novels.  He is best known for his historical novels, for which he has won five Spur Awards plus the Owen Wister Award for Lifetime Achievement in the literature of the American West.  He also writes mystery novels under the name Axel Brand.

I have had the good fortune to know Richard for nearly a decade. He graciously agreed to read and blurb my first Eden Murdoch novel, AN UNCOMMON ENEMY, before I ever met him. His generosity to his fellow authors is as big as his wonderful talent.

I want to share his thoughtful essay on the tumultuous state of publishing today and why he feels the current and coming changes will benefit that industry and all those involved in it.




A Rosy Future    by Richard S. Wheeler

Available now on Amazon.com

The more I consider the future of American publishing, the more delighted I am. American publishers are gradually getting rid of various problems that have been the bane of their existence, and also evolving new channels to sell their product.

Their real product is intellectual property, not physical books. Printed books are only one of several media by which intellectual property can be transmitted and sold to customers. The onslaught of the digitized world has great and positive implications for publishing. Books can now be delivered weightlessly in a variety of digital and audio formats, all tailored to each customer's preference.

Technology is swiftly eroding the return system that has afflicted American publishers, but not those in other nations, since the 1930s. Ebooks and POD books are not returnable. Consignment distribution has meant that huge parasitic chains, like BN, have been able to stock their entire stores at minimal cost; the actual burden has been on the publishers, with BN delaying payment for its merchandise more or less indefinitely, at enormous cost to publishers, simply by returning books and using the credit to order new ones.

The transportation costs of moving books are enormous. Paper is heavy. The return system operates at high cost. All those heavy books have to be shipped, examined, warehoused, and resold or remaindered. And the accounting will be greatly simplified. Books delivered electronically are not only weightless, they are not subject to return, and that will be true of audio delivery as well. The enormous cost of hauling paper around, and warehousing paper, will be greatly diminished.

Another prospect is local printing in local bookstores, which also mitigates transportation costs. Customers can have the title of their choice manufactured in a few minutes, in cozy stores that feature display copies and covers more than actual titles, and trucking companies, UPS, the postal service, or FedEx won't get a nickel out of it, apart from delivering supplies to local stores.

Authors will benefit not only from higher royalties but also because the traditional reserve against returns will no longer be necessary in some cases, and authors will be paid promptly instead of having to wait several years. Publishers will be able to produce small editions profitably, which could revive mid-list titles and specialized editions. And that means that many fine authors, currently shut out of commercial publishing, could be profitably published.

Existing accounting is so complex that it eats deeply into publishers' budgets, but the elimination of consignment distribution will radically reduce accounting costs, and simplify royalties.

I am not worried about the collapse of the chains. That will not sink publishers, and will, after some initial difficulty, result in a far more rational and economic system of selling publishers' intellectual property in all forms. The chains are parasitic, burdening publishers with the cost of stocking those huge stores, and the publishers are well rid of them.

The industry is suddenly going light: much of that heavy paper, many of those semis full of books, most of those burdensome warehouses, most of the cost of packaging, including cover and jacket design, will disappear. Press a few buttons and an audio book will be transmitted to your personal listening device, including your computer. No more CDs to make and sell and mail.

There may be some chaos as the chains collapse, but the future of American publishing is as rosy as it gets.

[Reprinted from A Curmudgeon's Diary with permission.]

A beautiful bookstore; a day spent among friends...plus Absinthe!

On Saturday, September 4th, the Kansas City chapter of Sisters in Crime and the I Love A Mystery Bookstore hosted an Absinthe Party to celebrate the paperback release of The Second Glass of Absinthe.

I hope all in attendance had as much fun as I did. In addition to showing some of the absinthe-inspired works of art created by Manet, Van Gogh, Degas, and Picasso, I demonstrated the absinthe ritual and handed out little samples of the Green Muse to anyone curious about whether the fabled libation might enhance their creativity (as those 19th Century artists and poets claimed).

The New Life of AN UNCOMMON ENEMY

A few weeks ago, I re-published my 2001 novel, AN UNCOMMON ENEMY.  Originally published (and nearly forgotten) in the tragic week following September 11^th, I believed the story deserved a second chance. The moral and political controversies raised after Custer’s attack on a peaceful Cheyenne camp on the Washita in 1868 were not so different from the questions faced by America in the wake of 9/11. I felt the issues posed still resonate, so I hoped the book might somehow find a new readership. 

I never imagined what would take place last Thursday night.

Kindle Nation, a blog for Kindle users, favorably reviewed the novel and posted its first chapter online. Within hours, the Amazon sales ranking jumped from #124,000th to #127th in the Kindle store.  By the next morning, AN UNCOMMON ENEMY was the #1 Western novel across ALL formats on Amazon, paper or pixel.  Number One!  The raw power of a single very influential blog to move an otherwise forgotten novel in this totally-new publishing landscape is striking. 

I also learned another lesson.  Bookstores--and the publishing industry itself--tend to force all books into narrow genres and all readers down narrow aisles.   Bloggers need not follow such dictates or conventions, and can allow their readers to self-sort their book selections without restriction.  The Kindle Nation blog, for instance, is ecumenically focused on all Kindle readers, regardless of book genre.  Think of the effect this had on my sales when Stephen Windwalker, of Kindle Nation, summed my book up this way: 

"If it weren't for my efforts to be genre-agnostic, I probably would not have gotten hooked on this novel. But the fact is that it can't be pigeon-holed in a genre; it's just a great story, well told, with totally unexpected, astonishingly well-imagined characters."

Kindle readers, who might never walk down the Western aisle of a Barnes and Noble, or read a western-themed magazine reviewing books of interest, were instantly exposed to my cross-genre novel.  (Which is more a general “historical novel” than a true “Western.”) For a brief moment, it did not have to compete for their attention with 120,000 other volumes lining the shelves and capping the ends of any bookstore.  

Bottom line: AN UNCOMMON ENEMY found an uncommon friend, for which I am very grateful.

Séance in Sepia

I have a new novel to announce:  Séance in Sepia is scheduled to be published in hard cover by Five Star Mysteries in October 2011.

The story begins in the present day when a woman buys an antique "spirit photograph" at an estate sale.  She doesn't know anything about spirit photography--all the rage in Victorian America--but when she puts the picture up for auction on Ebay and the bidding soars over a thousand dollars, she realizes she must find out more.

She soon learns that the three people pictured in the photo were the focus of a notorious murder case that rocked Chicago in 1875.  I will share more in the coming months but know that the working subtitle has always been:  Victoria Woodhull and the Free Love Murders.

On the airwaves

I had the enjoyable privilege yesterday to meet with two wonderful Kansas City-based mystery authors, Nancy Pickard and Joel Goldman. The three of us were interviewed on our local public radio station, KCUR, by Steve Kraske.
We spent the hour discussing the craft of mystery writing.
The show is now available as an mp3 stream on the station's website --click here:  KCUR.

If you haven't read it yet, Nancy's bestselling new book, The Scent of Rain and Lightning, is a stunner. As she did in The Virgin of Small Plains, Nancy evocatively captures the essence of rural prairie life in modern-day Kansas and the raw emotions that echo down the decades after a single night of terrifying violence.  Here is her website: http://www.nancypickard.com/

Joel's new book, No Way Out, will be in bookstores in just a few weeks.  This is the third installment in his exciting Jack Davis series.  Read more about it and check out a fantastic book trailer on his website:
http://www.joelgoldman.com/

Happy Pub Day

Today is the official publication day of the paperback version of "The Second Glass of Absinthe," but I am also excited to announce that the first Eden Murdoch novel, "An Uncommon Enemy," is also debuting this week as a Kindle edition.  
Buy it here for just $2.99.
You can read the first chapter on my website.


I have often been asked whether the character of Eden Murdoch was a real person, given that many characters in the novel did exist--Custer, Sheridan, Black Kettle. 


The answer is technically, no, she is a fictional creation, but she was inspired by two separate events. Custer mentioned in his field report, filed the morning after the battle, that they found the body of a white woman in Black Kettle's camp. He did not identify her and never mentioned her again, though he wrote extensively of the Washita Battle in later years.

The identity of this mystery woman has never been solved by scholars, but it must be assumed that it was not the body of another white captive, Clara Blinn, who was found a week later in another location. Despite this lack of documentation, General Sherman, Sheridan's superior, used it as conclusive proof that Custer struck a hostile camp, when he testified before Congress on the matter.
My novel poses the question, what if that woman had been found alive, and what if she did not tell the story the Army longed for her to tell? What if she instead gave an articulate report of the battle from the Cheyenne point of view?
Eden's character was inspired by the story of another white captive, Cynthia Ann Parker, a woman "captured twice," as Eden was. Parker was captured by the Comanches, lived among them, married into the tribe, and lived there for more than two decades before being "recaptured" by the Army and forced to return to white civilization against her will. She was never able to see her children again, one of whom grew up to be the great Comanche chief, Quannah Parker.

We're Going to Party Like It's 1899!

A date has just been set for an Absinthe Party to celebrate the paperback release of THE SECOND GLASS OF ABSINTHE.


The setting will be the beautiful I LOVE A MYSTERY BOOKSTORE in Mission, Kansas.  If you are a book lover, no visit to Kansas City would be complete without a stop--nay, a pilgrimage--to this wonderful store.  Styled like a Victorian library "with a twist," this shop reminds us all how delightful and special an independent bookstore can be.  Biblio-heaven!


On September 4, 2010, at 11:00am, the local chapter of Sisters in Crime will allow your humble author to hold forth on the mystical history of absinthe and demonstrate the absinthe drinking ritual.  Everyone (over 21, that is) will be given the opportunity to sample the fabled libation.  Now some might suggest that 11a.m. is a tad early in the day to be imbibing this highly alcoholic beverage, but in the immortal words of Jimmy Buffett, "It's five o'clock somewhere," right?


And just what is involved in the Absinthe Ritual?  My character, Kit Randall, describes his version in the opening pages of "SECOND GLASS":

"His thoughts returned to that bizarre absinthe dream. Why did it refuse to leave him? What had really happened here last night? In his only solid memory he had "watched the clouds come out." That was his euphemism for gazing at the slow, tantalizing process by which one prepares to drink the liqueur the French called la fée verte, the Green Fairy.

The light emerald liquid was dripped through sugar cubes that sat perched atop a slotted spoon. Icy water was then added which rendered a spectacular transformation. The clear green absinthe blossomed into a milky opalescence and was ready to sip.

He recalled settling back deep into the sea of sofa cushions in Lucinda's bohemian-inspired second parlor and staring up at the famous Eye Dazzler rug hanging on the wall. He loved to watch the bright zig-zagging pattern come alive. A thousand triangles danced before his eyes in a carefully terraced lockstep, vibrating red black white, red white black, hypnotizing him as it always did."


Absinthe spoons will be given as door prizes, so come indulge in delicious decadence and mysterious camraderie! We're going to party like it's 1899!